Archive for Misc.

Dios- We Are Dios

After an abrupt cymbal crash that opens Hawthorne, CA foursome Dios’ née Dios (Malos), new namesake album, the sound fizzles out into a swirling drone of reverb and serenity. The sound finds a low-point groove and Joel Morales sings alcohol and dumb decision go hand and hand when they’re around…epileptic tunnel vision, my body hit the ground supported by a Beach Boys harmony and a through-the-rabbit-hole lead up as the song paces itself for the segue into the group’s third album of progged-out, rainy-day songs that drift through a seaside carnival-like haze.

Most tracks flow through a sound falling somewhere between an out-of-phase computer-modded Syd Barrett (“Toss my Cookies” is the best song about ice cream sandwiches you’ve ever heard), a prog-rock drip and a more-than perfect contemporary nod to their hometown heroes, the Wilson family. There is certainly an underlying theme of a disdainful view of their modern, seemingly out-of-touch world, as Morales sings of boredom, age and getting drunk/stoned (modern man is all I am, feeling wrong and crawling on).

Apart from leaving you wanting to scoff at it all, telling the band to simply “get used to it,” the results instead manage to effectively leave the listener feeling sonically incapacitated, content and craving more. We Are Dios (Buddyhead) is certainly an early 2010 album worth looking out for.

–Matt Draper


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Meet Lights On, a San Diego fivesome that want nothing to do with scuzz rock

“It’s a nod,” says Mike Kamoo, drummer for San Diego angular rockers Lights On, about his city’s Music Awards and their previous two-years-running nomination. “I mean, I don’t expect to win,” he tells me with a smile backstage at LA’s Club Nokia just after their opening slot for Peter Bjorn and John.

The born-and-bred So Cal five-piece are no stranger to the industry’s workings. One of their earlier bands Stereotypes played with The Buzzcocks and Spoon and another, separate 60’s garage rock outfit Bad Apples, took the guys, six years ago, on a European tour.

Kamoo puts food on the table from knob twisting at his own studio, where the band has recorded for eight plus years through previous incarnations. “We experiment a lot in studio,” says singer Tim Hines, about the current Lights On project. “[Though] it’s not like we go in there and watch the clock.”

“He (Hines) will write a song that morning, and it will be recorded by the afternoon. Stuff does happen pretty spontaneously,” Kamoo says of the studio-ownership benefit.

“The band started with the two of us,” Kamoo tells me, gesturing to Hines, “I have a studio, it was a recording project, and we just kind of got it off the ground.” Currently the band has released one five song EP, 2008’s Waiting For The Heart To Beat, yet, have close to 20 other tracks recorded. They formed in 2006.

“We have a lot of songs that we need to release, b-sides if you will. “[We are] looking for a label, reserving the songs for hopefully a decent [one] to come and pick it up. If not, we will just do it ourselves,” Hines says of debut LP territory.

Lights On formed were nominated for The San Diego Music Awards as 2008 and 2009’s “Best Electronic” and “Best Pop Band” categories respectively. They have mini-toured with Sweden’s lo-fi Loney Dear (Sub Pop / Polyvinyl), welcomed summertime sell-outs at Silver Lake’s Club Spaceland and were hand-picked by Peter Bjorn and John to open the trio’s special birthday set (the night I spoke to them) in Los Angeles. Hines called that night’s gig “amazing.”

Well beyond the age of most of their San Diego contemporaries, “it’s a little over inflated, but it’s good, lo-fi garage pop I guess you could call it,” Hines says of the SD scene, Lights On, describe their sound using a wealth of reference.

Kamoo simply calls his band “very layered,” and “all over the place.” The room erupts in laughter when I mention their press kit’s sonic description of a pairing between “Echo & The Bunnymen and Animal Collective.”

Hines comments by saying they do have a layered keyboard sound, but that it’s “always changing” they are always “metamorphosizing” the sound. Continuing, he lists his influences: “some days it’s straight, post-punk garage stuff, (he cites) Television, early Echo and The Bunnnymen [or] Joy Division–very rigid and angular. Then some days it’s a lot of keyboards and 50’s and 60’s (sounds), The Kinks, stuff like that.”

Looks like we might just have to wait and see when Lights On decide to toss us all a full-length. The band has a few shows in December and January in San Diego, followed by the usual band-fare; touring, SXSW, another 5 song EP, and hitting the studio again.

Until then, Hines assures us that his band won’t go getting buzzed-out on us like fellow SD bands; “I don’t want to do a record that sounds like the Beach Boys on a cheesy four track.”

“Lo-fi scuzz rock?” I ask.

Correcting he says, “Lo-fi shit gaze.”

–Matt Draper

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If we had to sum up Saturday’s event in one word, it would be: PERFECT.


The weather, people, music, fake grass, sunset, baked goods, hearts, smiles, stone fire pit, hot tub, everything. Everything was perfect.


We are so blessed and grateful to have all of you guys’ support to help us do what we love doing.


Please remember to come to our final Rooftop event on Sept 12th. You won’t want to miss it. Trust us!


Thank you again to  all the non-profits that set up – Falling Whistles, Generosity Water, and Global Fast, all the bands that donated their Saturday night – Just off Turner, Jon Hans, Sam Stewart, and Avi Buffalo, and all the volunteers and friends that helped out!! We love you all so much!


Check back for more info on the Sept event, pics and vids from the last event, and …. a brand new spankin’ website. gasp! yes! We’ll keep you posted 🙂

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It’s so easy! Just sign up to be a Do Something member and get a free soft serve cone from Baskin Robbins!

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Paste Magazine has compiled a list of pretty fantastic charities to follow on Twitter.

10 Charities to follow on Twitter

Check it out, yall ❤

Don't forget #11: Plays Well With Others

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Thank you everyone soo much for sticking around and hanging out with us on Saturday!! Even in the hot weather! You guys are AWESOME. We hope you all enjoyed the amazing bands and non-profits that played well! Thanks again from the bottom of our hearts (:

A huge thanks to the bands and non-profits that came to play!! – Damion Suomi, Lakes, William Tell,Ernie Halter, Faceless International, Falling Whistles, and The Mocha Club.


Keep checking back for pictures and videos from the event!

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The staff of Tiny Mix Tapes and 11 of their favorite artists has compiled a playlist titled Tiny Mix Tapes Vol. 1: Darfur to benefit International Rescue Committee. 100% of the profits will be donated to IRC, an “independent, impartial, and secular aid organization,” who are currently aiding Sudanese refugees in eastern Chad, southern Sudan, and the Central African Republic.

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